Recorded in 1992, Night Bird Song remained in the can for seven years before Knitting Factory released it in 1999. Thomas Chapin had met an untimely death from leukemia in February 1998 (he was only 40), and this posthumous release was greeted with great enthusiasm by those who were hip to the saxman/flutist's music.
It's regrettable that this avant-garde/post-bop recording went unreleased for so long, for Chapin's trio (which included bassist Mario Pavone and drummer Michael Sarin) is inspired, unpredictable, and cohesive throughout the album. Sticking to his own compositions, Chapin favors an inside/outside approach and fluctuates between moments of quiet, AACM-influenced reflection and intensely emotional playing. Chapin's pieces tend to be cerebral and angular and don't go out of their way to be accessible, but they're well worth exploring because the expressive improviser had a lot to say. Whether he's playing the alto sax, sopranino sax, flute, or alto flute, Chapin's restless spirit serves him well throughout Night Bird Song.